Day two hundred and seventy-three: Reading about the drawings and etched prints of Italian mannerist Parmigianino made me want to try a sketch after something he made in the sixteenth century. By chance, I found a snapshot I took with my iPhone of a drawing of an angel attributed to Parmigianino at the Philadelphia Museum of Art. It looks nothing like what you see here, but it was his spare use of line and wash that inspired this face. Visiting Minneapolis for the weekend without my computer, l turned to the iPad to recreate the Italian master’s hand, however, found my own hand and the sketchbook app’s setting lacked what was necessary to finger paint a reasonable facsimile. I abandoned the attempt, committed a few of Parmigianino’s lines to memory, and made up my own version of an angel’s face. I see there’s still a little Picasso influence in my hand too, as the style reminds me a bit of the modern master’s Metamorphoses etchings.
why?
history
- January 2012 (4)
- December 2011 (31)
- November 2011 (30)
- October 2011 (31)
- September 2011 (30)
- August 2011 (31)
- July 2011 (31)
- June 2011 (30)
- May 2011 (31)
- April 2011 (30)
- March 2011 (31)
- February 2011 (28)
- January 2011 (31)
sketched
abstract allegory ancient animal architecture art on art athlete bird black cameron cartoon chalk charcoal conte crayon Dürer ensor face figure study flower food gray iPad landscape moon munch nature nocturne oil pastel pen and ink pencil red sculpture self portrait skull spring still life stone surreal venice water watercolor white winter woodcutBlogroll
Post a Comment