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{ Tag Archives } pen and ink

gnarly tree

Day three hundred and thirty-six: Ever since I studied 16th-century Italian woodcuts intensely about a year ago, I’ve been enchanted by the bark-crusted trunks of twisting trees and stumps. I have a theory that every great artist has made one or two during the course of their career. This evening I visited the Pennsylvania Academy […]

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ink and wash study

Day three hundred and nineteen: Tonight I felt like playing with ink and wash in an old master style. So I found an 18th-century drawing in the Thrivent Financial Collection, and tried to imitate a small part of it. What you see here is the head and shoulders of Joseph, as drawn by the Venetian […]

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study of a Roman sculpture

Day two hundred and eighty-six: Quite simple: more drafting practice, playing with pen and wash to improve my draftsmanship. Like yesterday, sculpture seems to serves as a good model. This Roman woman hails from the archeological museum in Naples. I added pupils to the eyes, because while the sculpture looks fine with a blank stare, […]

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study on my own

Day two hundred and eighty-five: I decided today that with only 80 sketches left, I might want to do less copying of the work of master draftsmen, and more creating of my own. Early in the year, I toyed with the idea of learning how to draw human figures well, but I never really sorted […]

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detail of a tree trunk after Luigi Sabatelli

Day two hundred and eighty-three: Here’s a first: what I decide to sketch took a fraction of the time I thought it would! Usually it’s the other way around. This afternoon, a curator’s request sent me into a gallery of drawings, and although I had seen the drawing before, my recent work with pen and […]

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from the dock (Philadelphia skyline)

Day two hundred and eighty-two: Gorgeous, warm autumn weather in Philadelphia drew me to the river for a lovely row. This was the view from the dock of the Undine Barge Club before I launched. My new favorite pen with brown ink seemed perfect for the quick job, but begged for a few chalk white […]

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mountain lake at dusk

Day two hundred and fifty-one: More playing around with media today: this time a mix of black pen and dusky watercolor washes to create an imaginary mountain lake at nightfall. This study was inspired by my memory of landscape etchings by D. Y. Cameron.

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sleepy kitty

Day one hundred and thirty: Today I was cataloging prints at work, which means I get to look at amazing works on paper while I key data about them into a computer database. A sweetly sleeping cat on a pillow in the lower left corner of an intaglio print by the 16th-century artist Federico Barocci […]

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fragmented

This sketch is the one hundred and tenth in a 365-day challenge to draw a picture a day, every day, for a year… Day one hundred and ten: All day I’ve had an image in my mind: the form of a runner, fragmented and repeating as if caught by stop-motion photography. My quick sketch of […]

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workspace(s)

This sketch is the ninety-eighth in a 365-day challenge to draw a picture a day, every day, for a year… Day ninety-eight: Whoops! Getting this posted just under the wire. I am preparing a paper to present next Friday at an art history conference, a project which has distracted me all evening. So in a […]

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