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trees and crows

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Day three hundred and twenty-nine: Late November in Minnesota can be so delightfully melancholy, especially when it hasn’t yet snowed. Bare trees, the last rake-missed leaves scattered and rustling beneath a low, overcast sky. Honking geese have left behind cawing black crows. Damp grays and browns settle and wait to be cloaked in a sparkling blanket of cold white. Today’s study, made on the iPad with my fingers, attempts to capture a bit of this mood, and includes elements I observed on an afternoon walk, one day after Thanksgiving.

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untitled (figure falling in fountain)

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Day three hundred and twenty-eight: After a lot of cooking and visiting on a fine Thanksgiving day in Minneapolis, I am grateful that a simple doodle on the iPad is all that is required of the daily sketch. The figure and the blue burst flashed in my mind this afternoon, and when I sat down to draw on the idea, this is what appeared from my fingertips. Now… I think I need to have another piece of apple cranberry pie…

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abstract brussels sprouts by finger paint

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Day three hundred and twenty-seven: Finding myself at the iPad with nothing to sketch, and with Thanksgiving recipes on my mind, I started doodling Brussels sprouts from memory. I love drawing on the pad directly with my fingertips because it seems easier to make both fluid and straight lines than with my digital pen. It was delightful to quickly squiggle out their wrinkled, layered leaves. I originally thought the sketch would be black and white, but an experiment adding green made me realize that the color unifies the disconnected lines of each sprout, and makes them more identifiable.

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Pilgrim Caprica and the Thanksgiving Pumpkin

Day three hundred and twenty-six: Thinking about this pending holiday of gratitude, I had the silly idea of Caprica acting in a Thanksgiving play, wearing a tall pilgrim’s hat. Of course, he should offer something delicious for the meal, and so I gave him a pumpkin. Perhaps there’s more to the story, but all that made today’s sketch is the title page. You imagine the tale!

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a joker

Day three hundred and twenty-five: About the time I put the digital pen to the pad, my good friend, Dana, called from Minneapolis. As we chatted, I started doodling away, and by the time I hung up, half the white space was filled in. The face and surrounding shapes I had drawn looked a little like the joker from a deck of cards, and so I went with it. Continuing the mode of automatic drawing, I let the lines lead me, and in the end, what you see here emerged as the sketch of the day.

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study for a visual idea

Day three hundred and twenty-four: Today’s sketch is a study for part of a composition I thought of this morning. I have no real words to say about it, and so I think I’ll let the image speak for itself.

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my red fuji

Day three hundred and twenty-three: A couple of days ago, I imitated a color woodcut of Mount Fuji in Japan. This afternoon, while browsing through travel photos, I came across a couple shots of the mountain as seen from Tokyo at sunset. Very different from the 19th-century version, with the sprawling, modern city laid out before the ancient volcano. Adding little spots of red and white city lights was one probably the most fun, and a simple touch that I think gives the otherwise abstracted urban landscape a surprising sense of realism.

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sketch after James Castle

Day three hundred and twenty-two: Today I spent a couple of hours looking at small books made by the self taught artist, James Castle. This sketch imitates one of the figures that appears repeatedly on the tiny, brittle pages, and is often cloaked in a quilt-like pattern of checks and spots.

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study after Hokusai’s Red Fuji

Day three hundred and twenty-one: This afternoon I had the pleasure of spending a little time with an expert on Japanese prints who was visiting from Washington D.C. We looked at an example of “Red Fuji” in the PMA’s collection, which turns out to be a very fine, early impression of the classic color woodcut by Katsushika Hokusai (1760–1849). The image is one of the most famous from his series of 36 views of the famous mountain.

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study after an etching by Hans Lautensack

Day three hundred and twenty: This afternoon I was delighted to see an etching by German artist Hans Lautensack (1524 – 1566) is part of the PMA’s collection. I’m particularly fond of the style of pine trees that appear in prints by Lautensack, which imitate those by Albrecht Altdorfer of the s0-called Danube school. I decided that today’s sketch should include a detail of Lautensack’s trees along with the a little country church.